Freelancers
v. Employees:
Watching
Out For Hidden Liabilities
by
Donald R. Simon, Esq.
Originally published in Screen
Magazine, April 18, 2005, at 17.
Freelancers
are common place in the production business.
Their use can be a cost effective way to pull a production
together. However
under the law, an individual’s status as either an employee or
freelancer can have huge implications on how liabilities are
shifted. If a hired
talent is unwittingly classified as an employee, the employer may
be liable for damages and injuries caused by that individual as
well as have liability for that person’s income and social
security taxes!
Determining
whether someone is a truly an employee or just a freelancer is not
always easy. It is
more complicated than simply calling someone an “independent
contractor” and giving them a 1099 at the end of the year.
The process requires an assessment of factors.
No single factor decisively defines whether an individual
is an employee or an independent contractor. The following
are some general questions to ask when determining employment
status.
Answering “YES” to the following questions tends to establish status as
an employee:
1.
Do you have the right to make the worker comply with your
instructions on when, where, and how he or she must work?
2.
Do you train the worker (on your premises or the worker’s) by
requiring him or her to work with someone experienced?
3.
Do you require the worker to attend meetings?
4.
Are the worker’s duties an integral part of your operation?
Is the worker’s function necessary to your business?
5.
Do you require the worker to provide the services personally, or
can he or she delegate them to someone else?
6.
Do you hire, fire, and pay the worker’s assistants?
7.
Is there a continuing relationship between the worker and
yourself? Are services performed frequently (although
irregularly)?
8.
Do you set hours during which the individual must work?
9.
Must the worker devote all of his or her time to your job?
10.
Must the worker work on your premises, especially if the work
could be performed elsewhere?
11.
Do you have the right to set the order in which services are
performed, whether or not you exercise that right?
12.
Do you require workers to give you written or oral reports?
13.
Do you pay the person by the hour, week or month?
(Contractors tend to be paid by the job or on straight
commission).
14.
Does the worker require prior permission for absence from the job?
15.
Do you pay the worker’s travel or business expenses?
16.
Do you provide the worker with tools or materials?
17.
Do you have the right to fire the worker?
18.
Can the worker quit at any time?
Answering “YES” to the following questions tends to establish status as
an independent contractor:
1.
Does the worker invest in facilities, such as an office, that are
not typically maintained by employees?
2.
Can the worker incur a profit or loss as a result of his or her
work (in addition to the profit of payment for the work)? A
contractor should bear economic risk due to investments or
liabilities other than the risk that he or she will not be paid.
3.
Does the worker work for more than one business at a time?
(Note, however, that the IRS says that a worker could be an
employee of numerous service recipients.)
4.
Does the worker offer services to others on a regular basis?
5.
Does the worker advertise his services in electronic and/or print
media?
6.
Does the worker carry independent insurance?
7.
Does the worker purchase and use his own business cards, business
stationary, billheads, etc., that is different from yours?
The
above questions are by no means exhaustive.
Each determination is fact specific and should be taken on
a case by case basis.
One
related issue: copyright ownership.
Whether a person is a freelancer or employee has enormous
implications on ownership of the resulting creative work.
If
a production company is working with independent contractors to
supply any portion of creative material, written agreements must
be in place to document the company’s rights in that material.
Otherwise, the copyright laws assume that the copyright in
any such work is owned by the actual creator, that is, the
independent contractor and not the producer. As
such, when engaging the services of freelance professionals,
producers must insist upon a written agreement confirming that a
“work-for-hire” arrangement or assignment of copyright has
been obtained.